For Jack, just because the subliminal flashes of the Exorcist was a big part of the author's first book...
From the mid-1970s through 1992, the late Professor Wilson Bryan Key, Ph.D, wrote a handful of books about subliminal advertising in the United States:
With more and more skeptics beginning to seriously question Key's theories and evidence, he stuck to his guns, even testifying as an expert witness for the plaintiffs in the early 1990s Judas Priest suicides lawsuit. Here's some of the author's most memorable bits that first come to mind. I honestly don't recall the ulterior motives Key ascribed to each specific piece of evidence he served up, but most (if not all) of it as been debunked.
The following photos are clickable, and do give the viewer a better idea of what Key was seeing / claiming to see. If you can relax while focusing on the ads, you will see many of the same things. But in most cases, lighting, angles, shadows and other factors are a much better explanation than most of Key's theories. Yes, there was a phantom's face that flashed several times throughout The Exorcist, but it was hardly subliminal. And no, Simon and Garfunkel's Grammy award winning song "Bridge over Troubled Water" is not about a heroin addict, drug dealer, and syringe.
- Subliminal Seduction (1974)
- Media Sexploitation (1977)
- The Clam-Plate Orgy (1980)
- The Age of Manipulation: The Con in Confidence, The Sin in Sincere (1992)
- Subliminal Ad-Ventures in Erotic Art (1992)
The first and second tomes were so popular, they became part of American culture and touched off Congressional investigations. In the mid 1980s, while I was freshmen at Baldwin Senior High School, Key's theories were taught as fact, just as they were at colleges and universities across the country. The premise was simple: Madison Avenue, in their blind allegiance to the bottom line, were raping your subconscious mind with an airbrush, titillating your latent homosexuality, and playing off the suicidal tendencies of alcoholics. With each tome, this purported MENSA-level genius ratcheted up the hyperbole. What started out as deliberately placed "SEX embeds" in the ice cubes of print ads became the word FUCK etched into front page photos on the New York Times; drag queens gracing the cover of Playboy; Nabisco baking the word SEX into Ritz Crackers; HOJO's fried clams taking human form in a twisted orgy, and the Treasury Department hiding the word SEX hidden in Abraham Lincoln's beard on the (old style) $5 bill.
With more and more skeptics beginning to seriously question Key's theories and evidence, he stuck to his guns, even testifying as an expert witness for the plaintiffs in the early 1990s Judas Priest suicides lawsuit. Here's some of the author's most memorable bits that first come to mind. I honestly don't recall the ulterior motives Key ascribed to each specific piece of evidence he served up, but most (if not all) of it as been debunked.
The following photos are clickable, and do give the viewer a better idea of what Key was seeing / claiming to see. If you can relax while focusing on the ads, you will see many of the same things. But in most cases, lighting, angles, shadows and other factors are a much better explanation than most of Key's theories. Yes, there was a phantom's face that flashed several times throughout The Exorcist, but it was hardly subliminal. And no, Simon and Garfunkel's Grammy award winning song "Bridge over Troubled Water" is not about a heroin addict, drug dealer, and syringe.
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